Blockbuster – Listorati https://listorati.com Fascinating facts and lists, bizarre, wonderful, and fun Tue, 02 Jul 2024 07:29:48 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.2 https://listorati.com/wp-content/uploads/2023/02/listorati-512x512-1.png Blockbuster – Listorati https://listorati.com 32 32 215494684 Top 10 Blockbuster Movie Scenes Reviewed By Real-Life Spies https://listorati.com/top-10-blockbuster-movie-scenes-reviewed-by-real-life-spies/ https://listorati.com/top-10-blockbuster-movie-scenes-reviewed-by-real-life-spies/#respond Sat, 25 May 2024 05:32:47 +0000 https://listorati.com/top-10-blockbuster-movie-scenes-reviewed-by-real-life-spies/

It probably won’t come as a surprise that script writers, directors, producers and even actors take some creative liberties recreating real life scenarios in the name of art (or rather, entertainment).

On this list Tony and Jonna Mendez, former CIA agents and Chiefs of Disguise, Jack Barsky, former KGB Agent turned American Intelligence, Peter Earnest, the founding executive director of the International Spy Museum and 35 year CIA veteran and William Colby, former Director of Central Intelligence, review some popular movie scenes that are more art than accurate.

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10 Quick change

In this scene from Mission Impossible III, unlikely hero, Ethan Hawkes, uses the quick change methodology to disguise his identity. And he does it well, seamlessly transitioning into a cassock and posing as a priest.

According to Jonna Mendez, however, disguising an agent as a religious figure, media or peace corps is off limits. These vulnerable vocations need to be protected from the scrutiny they might be subjected to if they were suspected of harboring agents.

Believe it or not, one of the movie quick changes Jonna approves of happens in Teenage Mutant Ninja Turtles when April goes from librarian-type to naughty school girl while moving through a crowd; the bigger the crowd the more forgiving they are and the easier it is to change your appearance with small tweaks and layering.[1]

9 Gadgets

If there’s one thing we all look forward to when a James Bond film is released it’s to see the crazy and clever gadgets Q has dreamed up in his workshop. The clip above shows the “gadget room” in the movie Kingsman and according to Dr Vince Houghton, most of them are either fictional or behind the times.

During his career as an intelligence officer, Jack Barsky mostly made use of everyday ordinary items. He recalls passing messages in film cannisters and finding a passport and money hidden in a rusty oil can.

Pens are a popular spy movie gadget and although, in real life, they aren’t necessarily used as weapons, Jonna Mendez does remember instances where a pen was used to secrete a camera and even an L-pill (lethal pill used by agents who are captured and choose to commit suicide rather than be subjected to torture). And yes, sadly, L-pills are entirely real and have been used in several instances.[2]

8 What not to wear

When you think of the Matrix costumes, most likely you think leather and PVC. Who could forget Neo’s full-length leather jacket or Trinity’s PVC catsuit?

What do our real-life spies think of their outfits, though?

“I’ve never met a KGB officer in a leather jacket,” Jack Barsky, former KGB. “The whole point of being a spy is that you don’t want to look like one.”

To William Colby, former Director of Central Intelligence or America’s top spy, a real spy has to be ”a gray man who has a hard time catching the eye of a waiter in a restaurant.”

And Jonna Mendez agrees. When reviewing a clip from Avengers 1998 in which Uma Thurman sports yet another PVC catsuit, Jonna asks why they are so popular in movies… And then answers her own question with “because women look so good in them. At least Hollywood women do.” Most real agents, men and women, she continues, would not be caught dead in them.[3]

7 Masks

The Mission Impossible franchise is well-known for its mind blowing masks – which, according to our experts, are a result of CGI and clever camera angles rather than latex. Because although real life masks can change a lot about a person’s face including gender and ethnicity, not even the Chief of Disguise at the CIA can guarantee animation. Masks are also additive; this means you can, for example, add bulk to a small nose, but you can’t hide a big nose with a small one.

During his tenure at the CIA, Tony Mendez made masks and disguises to allow CIA officers to slip past the watchful eyes of the KGB, meet foreign agents and collect secrets cached in dead drops without being detected by counterspies. He even helped a black CIA officer meet an Asian diplomat in a city under martial law and Soviet surveillance. He asked a Hollywood makeup artist he knew to send him some masks and transformed the case officer and the envoy into Caucasian gentlemen. They met undeterred by roadblocks and checkpoints.[4]

6 Self-defense

When reviewing this clip from Iron Man 2, Jack Barsky remarks that although he was greatly impressed with the acting, the Black Widow’s self-defense techniques were considerably more aggressive than anything he was ever trained in. Which says a lot considering he used to work for the KGB!

Jack continues by explaining that although agents are trained in self-defense in case they find themselves in a dark alley confronted by an unsavory character who wishes to harm them (which seems likely due to the nature of the job), most agents are not as proficient in hand to hand combat as Hollywood would have you believe. Their purpose, after all, is to fly under the radar and gather intelligence rather than drawing attention to themselves by starting a fist fight.[5]

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5 Cultural customs

In this scene from Inglourious Basterds, the British soldier gives himself away by counting incorrectly on his hand. Europeans start with the thumb. Within a split second the German soldier realizes the man is European.

Jonna Mendez remarks that it is incumbent on the spy to learn not only the language but also the customs, mannerisms and procedures of the country/area within which they operate. “And sometimes,” she says, “once you’ve outed yourself there is no way out and you have to live with the consequences.”[6]

4 Crowds

Following on from the example above, blending into the crowd is the safest way for a spy to “disappear”. But even doing little things differently to those around you can help those on the lookout spot you. During this scene from Casino Royale, the man in the crowd is called out for having his hand to his ear, touching his earpiece.

Jonna Mendez’ team at the CIA came up with a no hands/body harness-type system to prevent exactly this. She also made it her life’s work to understand how fashion influences people’s conclusion about those around them in order to help her colleagues and other agents “blend in”.

Uniforms are also often used to help agents blend in, and although the CIA doesn’t have stores of uniforms, they can arrange pretty much anything.[7]

3 Documents

We all know this scene from Bourne Identity or any other spy movie – identity documents stored in a safe place just waiting for the right person to find and use them.

In reality, though, these kinds of documents are far too valuable to leave lying around just “in case” someone needs them. According to our experts, aliases are specifically created for specific agents and are very closely controlled by intelligence agencies. Putting together alternate identities is painstaking and meticulous.

Together with identity documents and passports, agents are also provided with pocket litter—those little pieces of paper, pictures and random stuffs we all collect in our purses or billfolds. They work hand in hand with the all-important cover story, which is also the next entry.[8]

2 Cover story

“Spies are people too,” says Jack Barsky. To help them do their jobs, they need believable back stories. Something they can identify with and talk about spontaneously and believably, either as an individual or as a group.

Argo is the real-life story of how Tony Mendez helped to create the escape plan, the false identities and the brilliant disguises that let six Americans escape revolutionary Tehran, where they had been held hostage, in 1980.

The movie, starring Ben Affleck as Tony Mendez, won the Oscar for Best Picture in 2013 and both Tony and Jonna Mendez were heavily involved in the making of it. The cover story, a Hollywood location scouting team, had to be something that Tony and his team could easily talk about.[9]

1 Sexpionage

The movie Red Sparrow is based upon the book of the same name by Jason Matthews, a former CIA operative, and explores the idea of the seduction methodology which is mostly associated with Germans (males called Romeos) and Russians (females called Swallows).

All of our experts agree that the art of seduction does play a role in espionage today and that it’s not that far-fetched to think the Americans use it too.

“I think sexpionage, that’s reality. I’d be surprised if there are any major intelligence services that aren’t in some way recruiting women to do dirty work,” says Jack Barsky.

But, unlike the one in the movie, it’s highly unlikely the CIA has a school of seduction.

At least, that’s what Jonna Mendez says…[10]

10 Rogue Spies In History

Estelle

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10 Blockbuster Movies Originating from Short Stories https://listorati.com/10-blockbuster-movies-originating-from-short-stories/ https://listorati.com/10-blockbuster-movies-originating-from-short-stories/#respond Fri, 14 Jul 2023 12:46:11 +0000 https://listorati.com/10-blockbuster-movies-originating-from-short-stories/

One would expect that most film adaptations are from famous novels, which is the case in some instances. But through the years, plenty of well-known movies were adapted from short stories printed in newspapers or book compilations—with famous and not-so-famous authors’ shorter reads becoming movie blockbusters.

Films like Apocalypse Now, Minority Report, 3:10 to Yuma, and Johnny Mnemonic are all such short story adaptations. And then there was Agatha Christie—the woman whose literary works are only outsold by the Bible and Shakespeare. Her novels and short stories have seen a multitude of remakes of adaptations—with avid detective fans still being mesmerized by the petite Mrs. Marple and the little Belgian, Hercule Poirot, in solving crimes.

Whatever your favorite movies are, the chances are that one or more of them were adapted from a novella or short story, just like the ten on our list.

Related: 10 Influential Movies With Dark And Surprising Origins

10 The Living Daylights (Ian Fleming)

Octopussy and The Living Daylights was the 14th and final James Bond book in the Bond series by Ian Fleming. The titular stories were published together after his death in 1964, with two additional stories added in later years. Both “Octopussy” and “The Living Daylights” were later adapted for the silver screen but were separately published in various magazines before this collection.

“The Living Daylights” is only about 36 pages long, depending on the publication platform. It is read in less than 28 minutes by Dan Stevens on YouTube! When visiting the local library, one finds that most of Flemings’ stories were on the shortish side, which is difficult to believe when watching the long, action-packed movies. Despite the author’s death at a youngish age, the 007-franchise was long established by the time of its publication, and the 1987 movie, starring Timothy Dalton as Bond, made $191.2 million worldwide. Not bad at all for a film made from a short story.[1]

9 Jumanji (Chris Van Allsburg)

Jumanji, the 1995 film, was based on a children’s book written and illustrated by American author Chris Van Allsburg who also penned and illustrated The Polar Express, another picture-book-turned-film starring Tom Hanks. As it goes in movies made from books, Jumanji saw many changes, such as the swapping of main characters and adults being added—with Robin Williams as one of the adults.

Jumanji was such a success that an animated TV series ran from 1996 to 1999. Van Allsburg, who had won many writing accolades, went on to write “Zathura” (2002)—a science-fiction sequel to “Jumanji,” which was adapted to film as Zathura: A Space Adventure (2005). Two more films followed—Jumanji: Welcome to the Jungle (2017) and Jumanji: The Next Level (2019).[2]

8 The Illusionist (Steven Millhauser)

The 2006 film, The Illusionist, starring Edward Norton and Jessica Biel, is a loose adaptation of Pulitzer Prize-winning author Steven Millhauser’s short story, “Eisenheim the Illusionist,” from the short stories collection, The Barnum Museum: Stories. It tells the story of Eisenheim, born Eduard Abramovich, an illusionist in Vienna at the turn of the nineteenth century. The film is about magic, class, politics, and passion, with Abramovich and his childhood love meeting again after fifteen years, throwing him into a rivalry with her high society fiancé.

American film director Neil Burger adapted the story, changing quite a lot from Millhauser’s ink and paper version. Nevertheless, the movie is enthralling and entertaining and made around $87 million at the box office worldwide.[3]

7 The Birds (Daphne du Maurier)

The short story “The Birds” was first published as part of a collection of stories in The Apple Tree: A Short Novel and Other Long Stories by Daphne du Maurier. It has been republished through the years under other titles. The plot depicts birds attacking humans in Britain and all over Europe in rebellion against the way humans rule the world. Du Maurier’s inspiration for the story apparently came from her observing a farmer being attacked by a flock of (probably poisoned) gulls while he was plowing a field.

The story caught the eye of Alfred Hitchcock, and he used the idea loosely to create a film with the same name, released in 1963. There are many contrasts between the two versions, such as different characters and settings. While the short story played out in London, Hitchcock’s film was set in California.

Interestingly, Hitchcock and Du Maurier, combined previously for the film Rebecca (1940), of which a Ben Wheatley remake was released in 2020.[4]

6 The Killers (Ernest Hemingway)

The Killers was a 1946 American film noir starring Ava Gardner that also débuted Burt Lancaster. It is partly based on a 1927 short story with the same title by Ernest Hemingway. The story follows an intriguing investigation into the contract killing of a former boxer who got involved in crime after his career was cut short.

Directed by Robert Siodmak, the film was released in August 1946, and Anthony Veiller was credited for the screenplay, which was co-written with John Huston and Richard Brooks. The movie was a success and earned four Academy Award nominations. Hemingway, who was not normally satisfied with how Hollywood altered his work, allegedly admired the film.

In 1956, a 21-minute student film from the story was directed by Andrei Tarkovsky and two classmates at the State Institute of Cinematography in Moscow. And incidentally, Don Siegel directed a remake in 1964, in which Ronald Reagan starred for the last time before becoming a politician.[5]

5 Million Dollar Baby (Jerry Boyd aka F.X. Toole)

Actor/director Clint Eastwood’s Million Dollar Baby (2004), about a female boxer—starring himself, Hillary Swank, and Morgan Freeman—was based on a short story with a near-same title (“Million $$$ Baby”). The story was from the short fiction collection Rope Burns by F.X. Toole, an American writer born in Ireland as Jerold (Jerry) Hayden Boyd. Boyd had interesting jobs, but it was boxing that he was most passionate about, and his job in the gym gave him the insight to write his graphic stories. The story’s title was apparently inspired by the nose art of a World War II bomber. Boyd used the pseudonym to keep his writing separate from his job.

The screenplay was written by Paul Haggis, and even after Eastwood came aboard, it took a long time to make the movie—due to the many social controversies regarding the project. Unfortunately, Boyd died before he could see his short story adapted for film win four Oscars, including one for Best Director—making Eastwood the oldest winning director in Academy Awards history at the time.[6]

4 2001: A Space Odyssey (Arthur C. Clarke)

The film 2001: A Space Odyssey (1968), a science fiction classic exploring evolution and various futuristic issues, such as nuclear war and artificial intelligence, was based on short stories (“The Sentinel” and “Encounter in the Dawn”) by British writer Arthur C. Clarke. Director Stanley Kubrick decided to rework the stories into a novel for which Clarke had been credited as the author. It became an iconic film and is regarded as one of the most influential science fiction stories ever—remarkable since its release was a year before the moon landing. Clarke wrote sequels, of which one, 2010: Odyssey Two (1984), made it to the silver screen.

Clarke and Kubrick aimed to tell a realistic story and respected the laws of physics. How realistic it would turn out, they probably never guessed. Quite a few technologies featured in the film turned out to be predictions of technology we use today, such as flat screens, tablets, and voice-activated appliances—to name but a few. With insight from NASA scientists, predictions made about the human body in space travel had been and is still being researched today.[7]

3 The Secret Life of Walter Mitty (James Thurber)

“The Secret Life of Walter Mitty,” a 10-page 1939 short story by James Thurber, was first made into a movie in 1947. The author consulted in the making of the film, but he apparently hated the end result.

The 2013 remake, starring Ben Stiller, tells the story of how the work of an employee at Life magazine as the negative image manager is coming to an end due to digitalization. Mitty is always daydreaming about being heroic and doing adventurous things but never does anything of note. That is until he loses the negative for the final cover and goes on a brave search for it—and finally does some of the adventurous stuff he has always dreamed about.

The film differs wildly from the original short story and received mixed reviews. Nonetheless, it is a wonderful piece of escapism with an ending that makes one want to live life to the fullest.[8]

2 The Curious Case of Benjamin Button (F. Scott Fitzgerald)

F. Scott Fitzgerald is well-known for his novel The Great Gatsby, which was first made into a feature film in 1926 and has since had three remakes. Few people realize, though, that the brilliant story for the movie The Curious Case of Benjamin Button also came from his pen and was a short story published in 1922. The story contained less than 10,000 words. After years in the making, Brad Pitt, Cate Blanchett, and Tilda Swinton finally starred in the 2008 film, directed by David Fincher with the storyline developed by Eric Roth and Robin Swicord.

The story depicts the life of Benjamin Button, a man who was born old and grew younger until he died as a baby again. If such a story wasn’t difficult enough to get to be believable on paper, the film version was even more of a challenge. The project saw director after director leaving the set—unable to solve problematic story issues and getting the expenses for such a complicated movie venture covered. When the director, cast, and a cheaper location were finally in place, hurricane Katrina hit New Orleans, where the film was being shot. Filming was eventually done between November 2006 and September 2007, after which the long post-production process followed—a long winding road for such a short story![9]

1 The Shawshank Redemption (Stephen King)

One of the most acclaimed movies, making it to most movie lovers’ top 10 list, is The Shawshank Redemption, written and directed by Frank Darabont and starring Morgan Freeman and Tim Robbins. This 1994 film was based on the 1982 novella “Rita Hayworth and Shawshank Redemption,” from the collection Different Seasons by Stephen King. King has 34 stories and novels adapted to feature films to date—the most for a living author.

The Shawshank Redemption was nominated for seven Oscars but won none. While it was a box office flop, the movie gained popularity outside theaters and was the most rented movie of 1995.

The bulk of the movie was shot in Mansfield, Ohio, using the Ohio State Reformatory—not in Maine, where the Shawshank State Prison is situated. The tree made famous by the movie doesn’t stand anymore as lightning and wind destroyed it. And don’t even bother—there isn’t any money buried along the low wall either.[10]

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