Turning songs into movies offers a unique way to explore the narrative depth embedded in music. While many songs serve as memorable movie themes, few are adapted directly into films that bring the characters and stories within the lyrics to life. These films often delve into the vivid tales depicted in the songs, adding layers of visual storytelling to the lyrical content.

This list of ten movies is based on popular songs, showcasing how filmmakers have expanded upon these musical narratives, creating entertaining experiences and sometimes reflecting relevant social issues. While none of these are classic Hollywood masterpieces, many still enjoy a cult following.

Related: 10 True-Story Movies That Will Restore Faith in Humanity

10 Ode to Billie Joe

The film Ode to Billy Joe (1976) was directed by Max Baer Jr. and starred Robby Benson. It expands on the mysterious and tragic story told in Bobbie Gentry’s 1967 hit song of the same name. Set in rural Mississippi in the 1950s, the movie follows the lives of Billy Joe McAllister and his girlfriend, Bobbie Lee Hartley. The plot centers on the events leading up to Billy Joe’s suicide, exploring themes of love, guilt, and societal pressure. The film attempts to answer the song’s central mystery: why Billy Joe jumped off the Tallahatchie Bridge.

The song’s success and enigmatic story prompted Gentry herself to write a screenplay. The movie adaptation stayed true to the Southern Gothic tone of the song, adding depth to the characters and their backgrounds. Ode to Billy Joe grossed over $27 million, a significant achievement for a film of its genre at the time. It also sparked renewed interest in Gentry’s music, cementing the song’s place in American pop culture.^[1]

9 Take This Job and Shove It

The 1981 film Take This Job and Shove It is a comedy inspired by Johnny Paycheck’s 1977 country hit of the same name. Starrring Robert Hays, Art Carney, and Barbara Hershey, the story follows Frank Macklin, a young executive sent to a small town to improve the efficiency of a brewery. However, Frank faces resistance from the local workers, who are skeptical of his motives. As he reconnects with old friends and rediscovers his roots, Frank must decide whether to prioritize corporate success or the well-being of the community.

The film’s title and premise resonated with American workers facing economic uncertainties in the early 1980s. While it didn’t achieve critical acclaim, it became a cult favorite among fans of workplace comedies. The movie featured cameos from country music stars, including Johnny Paycheck himself, adding an authentic touch to its portrayal of blue-collar life.^[2]

8 The Indian Runner

The Indian Runner (1991), directed by Sean Penn, is based on Bruce Springsteen’s song “Highway Patrolman” from his 1982 album Nebraska. The film tells the story of the Roberts brothers, Joe (David Morse) and Frank (Viggo Mortensen), whose lives take divergent paths. Joe is a highway patrolman dedicated to upholding the law, while Frank is a troubled Vietnam War veteran who struggles to find his place in society. The movie explores themes of family loyalty, guilt, and redemption as Joe grapples with his duty to arrest his own brother.

Sean Penn’s directorial debut received praise for its emotional depth and strong performances. The film remains a poignant exploration of the complexities of brotherhood and moral duty. Penn’s adaptation stays true to the melancholic tone of Springsteen’s song, enhancing its narrative with a rich cinematic portrayal.^[3]

7 Coward of the County

Adapted from Kenny Rogers’ 1979 hit song, Coward of the County (1981) tells the story of Tommy Spencer, a young man known for avoiding conflict. The made-for-TV movie explores his life in a rural Southern town, where he is taunted for his pacifist ways. However, when his beloved Becky is assaulted by a gang called the Gatlin Boys, Tommy is forced to confront his fears and seek justice. The movie delves into themes of courage, vengeance, and moral choices.

Kenny Rogers not only starred in the film but also served as its executive producer. The movie was a ratings success, capitalizing on Rogers’ popularity at the time. Its strong moral message and compelling storyline resonated with audiences, making it a memorable entry in the genre of music-inspired films. ^[4]

6 Alice’s Restaurant

Alice’s Restaurant (1969), directed by Arthur Penn, is based on Arlo Guthrie’s satirical song “Alice’s Restaurant Massacree.” The film follows a dramatized version of Guthrie’s own experiences, starting with his visit to Alice and Ray Brock’s home in Massachusetts for Thanksgiving. When Guthrie is arrested for littering, the story spirals into a broader critique of the Vietnam War draft and societal norms. The film’s blend of humor and social commentary captures the spirit of the 1960s counterculture.

The movie was released just a few years after the song’s debut and became a cult classic, embodying the anti-establishment sentiments of the era. Arlo Guthrie’s performance as himself added authenticity to the film. The movie’s success helped cement the song’s place in American folklore and highlighted the power of music as a tool for social change.^[5]

5 Copacabana

The 1985 TV movie Copacabana brings Barry Manilow’s 1978 disco hit to life. The film follows the story of Lola Lamar, a young singer who dreams of making it big at the famous Copacabana nightclub in New York City. As she navigates the challenges of the entertainment industry, Lola finds herself entangled in a love triangle with Tony, a bartender, and Rico, a gangster. The movie captures the glitz and glamour of the nightclub scene set against the backdrop of 1940s New York.

Barry Manilow starred in and composed original songs for the film, expanding on the story told in his hit single. The TV movie was well-received for its nostalgic charm and musical performances. It showcased Manilow’s versatility as a performer and solidified “Copacabana” as one of his signature songs.^[6]

4 Convoy

Convoy (1978), directed by Sam Peckinpah, is inspired by C.W. McCall’s 1975 song of the same name. The film follows trucker Martin “Rubber Duck” Penwald (Kris Kristofferson) as he leads a convoy of fellow truckers across the Southwest in defiance of corrupt law enforcement. The cast also included several 1970’s popular actors, such as Ali McGraw, Ernest Borgnine, and Burt Young. The movie captures the camaraderie and rebellious spirit of the trucking community, set against the backdrop of the 1970s fuel crisis and regulatory challenges.

Despite its mixed critical reception, Convoy became a box office success and a cult classic among fans of action films and trucker culture. Kristofferson’s portrayal of Rubber Duck added depth to the character, while the film’s thrilling chase scenes and memorable dialogue contributed to its enduring popularity. The movie’s success also helped boost the popularity of the CB radio fad of the late 1970s.^[7]

3 The Night the Lights Went Out in Georgia

The 1981 film adaptation of The Night the Lights Went Out in Georgia is loosely based on the 1972 song by Vicki Lawrence. The story follows siblings Amanda (Kristy McNichol) and Seth (Dennis Quaid), who find themselves embroiled in a web of small-town intrigue and corruption. Amanda and Seth travel to Nashville, Tennessee, to find fame as singers. When Seth is wrongly accused of murder, Amanda sets out to uncover the truth with Conrad (Mark Hamill) and clear his name. The movie blends elements of drama, romance, and suspense, capturing the essence of the song’s Southern Gothic narrative.

Although the film takes some liberties with the song’s storyline, it successfully captures its mood and themes. McNichol’s performance as Amanda received praise, and the film’s atmospheric setting added to its appeal. The movie contributed to the song’s lasting legacy, keeping it relevant in popular culture.^[8]

2 Harper Valley P.T.A.

Harper Valley P.T.A. (1978) is a comedy-drama film based on Jeannie C. Riley’s 1968 hit song of the same name. The story follows Stella Johnson, a single mother who challenges the moral hypocrisy of the Harper Valley P.T.A. after they criticize her lifestyle. Armed with wit and determination, Stella exposes the skeletons in the closets of the self-righteous committee members, turning the tables on them. The film explores themes of social judgment, small-town politics, and personal empowerment.

Barbara Eden, best known for her role in I Dream of Jeannie, brought charm and sass to the character of Stella Johnson, making the film a lighthearted and entertaining watch. The movie’s success led to a short-lived TV series adaptation in 1981, also starring Eden. Harper Valley P.T.A. remains a beloved classic for its humorous take on small-town hypocrisy and its celebration of individualism.^[9]

1 The Legend of Tom Dooley

The Legend of Tom Dooley is a 1959 Western film inspired by The Kingston Trio’s 1958 hit song, which itself is based on the real-life story of Tom Dula, a Confederate soldier accused of murdering his lover. The film follows Tom Dooley as he returns from the Civil War, only to find himself wrongfully accused of murder. As he flees from the law with his fiancée, Laura Foster, the story delves into themes of love, justice, and betrayal in post-war America.

Michael Landon, who later gained fame for his roles in Bonanza and Little House on the Prairie, stars as Tom Dooley, delivering a compelling performance that adds depth to the character. The film captures the tragic romance and the turbulent historical backdrop of the song’s narrative. Although not a major box office hit, it remains an interesting piece of Americana, reflecting the enduring appeal of folk music and historical storytelling.^[10]

+ BONUS: Born in East L.A.

Born in East L.A.(1987) is a comedy film written and directed by Cheech Marin, inspired by the 1984 song of the same name by Cheech and Chong. Their song was in itself a parody of Bruce Springsteen’s “Born in the U.S.A.” The movie follows Rudy Robles (Marin), a Mexican-American who is mistakenly deported to Mexico despite being born and raised in East Los Angeles. Stranded without identification, Rudy embarks on a series of comedic misadventures as he tries to return home. The film addresses themes of identity, immigration, and cultural assimilation with humor and heart.

The film marked Cheech Marin’s directorial debut and showcased his ability to blend comedy with social commentary. It received positive reviews for its humorous yet poignant take on immigration issues and the Mexican-American experience. Born in East L.A. became a cult classic, resonating with audiences for its relatable story and Marin’s charismatic performance. The film’s success also highlighted the growing visibility of Latino culture in mainstream American media.^[11]

Part 1 of Wicked has finally been released, and the public is loving it. From going viral on TikTok to being featured on every late-night talk show, this is truly the era of Wicked.

Jon M. Chu did what was considered impossible: He created a movie musical that was both a faithful adaption of the original source material AND a box office hit!

However, not all directors have been as lucky as Chu in trying to bring the stage to the screen. Here are 10 musicals that have terrible movie adaptions.

Related: Top 10 Historical Musicals That Aren’t “Hamilton”

10 Rock of Ages

It’s never good when a newspaper’s review of your movie starts with, “I just lost two hours of my life, and I want them back.” Unfortunately, that was the general consensus with 2012’s Rock of Ages.

Though much of the original plot and songs were kept in, the campiness and silliness of the show simply didn’t translate to the big screen. Even a truly stacked cast, including Tom Cruise, Bryan Cranston, Catherine Zeta-Jones, and Alec Baldwin, couldn’t save this jukebox musical from being ripped apart by critics. The movie lacks lust, juice, heat, bad behavior, and other things we’ve come to associate with rock bands like the ones featured in the show.

As the New York Times put it, “There isn’t any grit to these people or their art, not a speck of dirt anywhere. It looks like Disneyland and sounds, well, like a bad Broadway musical.”^[1]

9 The King and I

Not to be confused with the beloved 1956 movie The King and I, this 1999 cartoon aimed to be a more kid-friendly version of the story of a British teacher and her romance with the King of Siam.

Unlike many movies aimed at children, this one was not enjoyable for adults as well. Critics panned the way the film simplified the plot, cut Rogers and Hammersteins’ songs, and essentially created a water-down version of the (already pretty family-friendly) story.

Upon its release, the Washington Post wrote that it was a “wretched, lurid, absurd concoction which seems to have been conceived to annoy adults and bore children.”^[2]

8 Nine

Based on the Italian movie 8 ½, Nine the musical follows a womanizing Italian film director (played by Daniel Day-Lewis) as he goes through a midlife crisis. Nine important women in his life seem to speak to him as voices in his head. From his mother to his mistress to the prostitute he slept with as a child, Day-Lewis has conversations with each one that lead him to realize that he should have appreciated and acknowledged the women in his life before it was too late.

At its core, the show is about the importance of seeing women as more than just sex objects or people to be conquered, as their perspectives and realities can lead to new outlooks on life. While the performances in the 2009 film adaptation were generally praised, director Rob Marshall was criticized for his tendency to cast the female characters in scantily clad outfits and catering to the male gaze rather than taking the moral of the show to heart.^[3]

7 Les Miserables

To be fair, it’s difficult to adapt a 1,400-page book into a three-hour musical. And it’s even more difficult to take a three-hour musical about French history and actually have it be interesting.

But Les Miserables was a hit when it opened on the West End in 1980, despite the myriad of plots and characters. The mix of romance and hatred, grief and love, made the musical beloved by millions.

Surprisingly, not much was changed for the 2012 movie, which starred Anne Hathaway and Hugh Jackman. So why is it seen as an example of what not to do when making a movie musical? Director Tom Hooper made a bold choice to cast Russell Crowe opposite a slew of seasoned Broadway and West End singers, and unfortunately, the movie star couldn’t live up to them. His vocals were described as grating, and his mediocre singing voice took away from the melodrama and fear his role required. When asked about this decision, Hooper frankly claimed, “To find brilliant film actors who are brilliant singers… there are so few choices.”^[4]

6 Phantom of the Opera

Even ignoring the fact that romantic lead Emmy Rossum was only 17 years old, playing opposite a 33-year-old Gerard Butler, the Phantom of the Opera movie was a flop.

Watching the chandelier fall from the ceiling and the phantom’s gondola glide through the fog of a stage doesn’t quite hit the same when it’s on a screen. The inherent theatricality of the musical did not lend itself to the 2004 movie, and the more problematic plot points of the original were only highlighted by the young age of its lead. Not to mention, poor Gerard Butler certainly looked the part of the mysterious phantom but couldn’t quite hit the right notes.

Ultimately, the spectacle and music saved this from being a complete failure, but most reviewers agreed that the movie was “histrionic, boring, and lacking in romance and danger.”^[5]

5 Dear Evan Hansen

Even before the 2021 movie version of Dear Evan Hansen was released, there was controversy regarding the plot of the original Broadway show.

Teenager Evan Hansen is lying about being friends with a classmate who committed suicide in order to make friends and become closer with the classmate’s sister, who he has a crush on. If this makes you kind of hate Evan, you’re not alone. The show tries to paint Evan in a sympathetic light, highlighting his intense self-hatred and mental illness, but many still find the show to be letting him off the hook too easily.

To remedy this, the movie tried to make it clear that Evan didn’t want to keep lying but felt he had to continue due to outside pressures. Rather than making Evan more easy to pity, though, it made him seem weak and uninteresting. He continues the lie for no discernable reason, and all is forgiven in the end.

Ben Platt originated the role of Evan Hansen on Broadway at the age of 22. By the time the movie was being made in 2021, Platt was 27 and could no longer pass for a high school junior. Because the film was produced by Platt’s father, he, of course, landed the role. No amount of makeup or “youthful” haircuts could make this man seem younger, leading to an uncanny valley leading man and less than stellar reviews.^[6]

4 Hair

Hair took the world by storm when it debuted Off-Broadway in 1967. The same cannot be said for the movie adaptation. Though it didn’t exactly flop, even going on to be nominated for a Golden Globe, it doesn’t quite live up to the musical version: At least, not according to its fans.

The musical was written during the hippie movement, while the film was made in 1979 after it had ended. It makes sense that these two different pieces of media have different outlooks on the hippie tribe, which is the central focus of the story. The musical explores racism, pacifism, war, sex, drugs, and religion. The movie is more focused on the hippies as people, not so much on their beliefs and morals.

The biggest diversion from the original plot comes at the end. In the stage version, the main character, Claude, a member of the hippie tribe, receives his draft card and is killed in Vietnam. In the movie, Claude’s friend Berger switches places with Claude to give his friend one last night of freedom. The soldiers are deployed that night, and Berger is killed in Vietnam while posing as Claude. Both endings are sad, but the original captures the simple hopelessness of the Vietnam Era and the simple sacrifices people made during it.^[7]

3 A Chorus Line

As the seventh-longest-running musical in Broadway history, A Chorus Line holds a special place in the hearts of many theater fans. When it debuted in 1975, audiences were taken with each of the seventeen characters, all actors auditioning for spots on, you guessed it, a chorus line.

Rather than focus on plot or development, each character gets a few moments to explain who they are, why they’re there, and why they love to dance. The experimental nature of the show was revolutionary for the time and led to numerous accolades.

After having difficulty getting off the ground due to hesitancy from directors, in 1985, a movie adaption of A Chorus Line was released and met with universally terrible reviews. Many felt that the focus on a romance between one of the chorus line girls and the director, which is included in the original show but made the main plot in the adaption, completely went against the moral of the story.

In a show that’s meant to be about everyone, Hollywood tried to make it about romance, and this fundamental misunderstanding of the source material unfortunately meant the magic of the show could not be replicated.^[8]

2 Into the Woods

Into the woods and out of the movie theater.

In 2014, Disney released a movie adaption of Stephen Sondheim’s 1985 musical Into the Woods starring Meryl Streep, Anna Kendrick, Emily Blunt, Chris Pine, and more A-list celebs. With a cast like that, it seemed like a surefire hit. And while it did end up doing well at the box office, Broadway fans were not impressed.

In the stage version of the show, the interwoven stories seamlessly flow in and out of each other as characters make their way deeper into the woods. The movie was unable to replicate this, leaving the plot muddled and beloved songs such as “Ever After” and “No More” on the cutting room floor.

Though the cut songs and slowed tempos were annoying, what truly diverted the film was the absence of the narrator. The show starts with him telling the audience “Once upon a time” and guiding us through the stories, which helped keep the plots separate and added an extra storybook-like quality.

One of the most pivotal moments of the show is when the characters suddenly break the fourth wall and decide to sacrifice the narrator despite his protests. This marks the point when the show begins to get darker, as Prince Charming cheats on Cinderella and Little Red Riding Hood’s grandmother is brutally killed. Without the narrator, there’s no clear reason for things to go downhill so quickly, leading to a more ambiguous and less impactful moral.^[9]

1 Cats

Ask anyone who’s seen Cats (either the musical or the movie) about what the show’s plot is, and there’s a good chance they won’t be able to tell you anything. Except, of course, that there are cats in it.

The Broadway show was a smash hit in the ’80s and is still the fifth longest-running show in Broadway history. It’s mostly a story of individual cats explaining to the audience who they are and how their world works, with a second plot revolving around which cat deserves to be reborn in their version of the afterlife.

Part of the reason the stage show was so successful despite its oddities was the immersive experience and impressive dancing, both of which did not translate to the screen. Instead of wild makeup and ’80 bodysuits, audiences watched CGI James Corden and Taylor Swift roll around a set for two and a half hours.

Five years after its release, it is widely hailed as being one of the worst movies of all time. As Rotten Tomatoes so eloquently put it, “Despite its fur-midable cast, this Cats adaptation is a clawful mistake that will leave most viewers begging to be put out of their mew-sery.”^[10]