When it comes to deception in the art world, the 10 skillful forgers listed below turned the market on its head, pulling off heists of credibility that still baffle experts today.
10 Skillful Forgers Who Masterfully Fooled the Art World
10 Han Van Meegeren
In 1932 the Dutch painter Han van Meegeren, still smarting from critics who dismissed his work as unoriginal, hatched a bold plan: he would fabricate a brand‑new masterpiece and pass it off as a genuine Vermeer.
He produced a work he titled Supper at Emmaus, using an authentic 17th‑century canvas and only pigments that would have been available in the 1600s. To give the piece an aged feel he mixed in a small amount of Bakelite, which hardens the paint into a rock‑solid finish that mimics centuries of wear.
The painting was hailed as a lost Vermeer, bought by a Dutch gallery and installed as the centerpiece of a major exhibition. Van Meegeren had originally intended to reveal the fraud after scholarly approval, but the acclaim was too tempting to abandon.
His biggest slip came in 1945 when he sold one of his Vermeer forgeries to Nazi commander Hermann Göring. After the war the Dutch authorities charged him with treason for dealing a national treasure to the enemy, forcing him to confess that the work was a fake.
That confession vaulted Van Meegeren into infamy, cementing his reputation as the world’s most audacious art swindler and the man who out‑witted a high‑ranking Nazi.
9 Michelangelo
Long before he carved the Pietà, Michelangelo earned his first paycheck by creating a faux antiquity for a Roman patron named Lorenzo di Pierfranseco.
The task was to age a marble statue of a sleeping Cupid so convincingly that it would appear to have been unearthed after centuries underground. The patron intended to sell the piece as an ancient masterpiece, unaware that Michelangelo himself had sculpted it.
When the sculpture reached Cardinal Raffaello Riario, the prelate noticed the artificial patina and demanded his money back, yet he was so impressed by the young artist’s skill that he let Michelangelo keep his fee and invited him to Rome, where the future master would soon secure commissions for the Vatican.
8 Reinhold Vasters
Reinhold Vasters was a celebrated German goldsmith whose reputation for exquisite craftsmanship was matched only by his talent for deception.
After winning awards at events such as the 1851 Great Exhibition in London, Vasters began producing Renaissance‑style gold and silver religious objects that he sold as authentic antiques, a side business that helped his family after his wife’s death.
His forgeries infiltrated prestigious collections; the Metropolitan Museum of Art alone identified 45 counterfeit pieces attributed to Vasters, including the Rospigliosi Cup once thought to be the work of Benvenuto Cellini.
One of the most notorious examples is the Vessel in the Form of a Sea Monster acquired by the Walters Museum, which was believed to be a 17th‑century masterpiece by Alessandro Miseroni and Hans Vermeyen before experts finally traced it back to Vasters. The forgeries were only uncovered decades after his death, leaving museums still wary of hidden copies.
7 Elmyr De Hory
Elmyr de Hory arrived in the United States after World II with a fabricated backstory of a dispossessed Hungarian aristocrat who had survived a concentration camp and was forced to sell his family’s heirlooms.
His career as a forger began when a woman mistook a simple pen‑and‑ink drawing for a Picasso; de Hory seized the opportunity and started churning out convincing Picassos, Matisse, Modigliani and Renoir for eager collectors.
The ruse began to unravel when the Fogg Art Museum received a “Matisse,” followed shortly by a “Modigliani” and a “Renoir” that all bore an uncanny stylistic similarity, prompting an investigation that ultimately led to a 1955 mail‑fraud charge.
Partnering with dealer Fernand Legros, de Hory’s forgeries reached a wider audience, but Legros’s reckless sale of fifty‑six fakes to a single Texan oil magnate sparked a scandal that thrust de Hory into the global spotlight.
Facing extradition, de Hory chose to end his own life in 1976 rather than endure imprisonment, yet his legacy lives on as even his counterfeit works have become collectible curiosities in today’s auction houses.
6 Robert Driessen
Robert Driessen got his start selling cheap tourist artwork in the Netherlands before moving on to produce copies “in the style of” famous painters, eventually graduating to full‑blown forgeries.
He became especially notorious for replicating the slender bronze figures of Alberto Giacometti, a market where a single piece can command millions, and at the height of his operation Driessen reportedly amassed a fortune in the low‑seven‑figure range.
After a German arrest warrant was issued in 2005, Driessen fled to Thailand, claiming that dealers who had profited from his fakes paid him to disappear; analysts estimate that over a thousand of his forgeries still circulate unseen.
5 Tom Keating
Tom Keating, often described as the most influential 20th‑century forger, specialized in watercolors that mimicked Samuel Palmer and oil paintings that echoed the old masters.
Outraged by what he saw as a corrupt gallery system, Keating embedded “time‑bomb” messages in his canvases using white lead, deliberately introduced anachronistic materials and even painted a work backwards, hoping that only a truly unscrupulous dealer would miss the clues.
Nevertheless, he managed to produce over 2,000 works in the style of about a hundred artists before he and his accomplice Jane Kelly were arrested in 1977 after a series of suspiciously similar Palmer watercolors triggered an investigation.
4 Yves Chaudron
Yves Chaudron, a French forger shrouded in mystery, is alleged to have crafted six copies of Leonardo’s Mona Lisa as part of an elaborate plot to steal the original masterpiece from the Louvre.
The scheme hinged on swapping the genuine painting with one of Chaudron’s replicas, then selling the remaining five fakes to unsuspecting buyers who would each believe they owned the stolen original, while the thieves kept the real canvas for themselves.
Although the 1911 theft of the La Gioconda was eventually solved, rumors persist that the painting returned to the Louvre may have been one of Chaudron’s forgeries, and some skeptics even question whether Chaudron existed at all.
3 Ely Sakhai
Ely Sakhai never picked up a brush himself; instead, he ran a high‑end New York gallery and hired a cadre of artists to reproduce masterpieces for him over a span of more than two decades.
He would purchase authentic works by the likes of Renoir and Gauguin at reputable auction houses, have his hired hands create near‑identical copies, and then market those fakes with the original certificates of authenticity.
The ruse collapsed when both Christie’s and Sotheby’s listed the same Gauguin painting for sale simultaneously—one from Sakhai’s inventory and the other from a private collector who, unbeknownst to him, had bought the piece from Sakhai years earlier.
Investigations uncovered a trove of additional forgeries, leading to eight counts of wire fraud; Sakhai ultimately pleaded guilty in 2005, receiving a 3½‑year prison sentence, a $12.5 million fine and the forfeiture of eleven genuine artworks that had served as templates for his copies.
2 John Myatt
John Myatt began his illicit career churning out what he called “genuine fakes” for a modest £150 each, until a client revealed that a single painting had fetched £25,000 and suggested a partnership.
Capitalising on that tip, Myatt went on to produce more than 200 forgeries spanning the 19th‑ and 20th‑century canon, from Monet’s luminous landscapes to Van Gogh’s swirling starry nights.
Convicted of conspiracy to defraud in 1999, he served just four months of a one‑year sentence, during which time he swapped his pencil sketches for phone cards; after release, a curious turn of events saw his arresting officer commission a family portrait from him, followed by requests from the prosecuting barristers.
Today an estimated 120 of Myatt’s works remain undiscovered, and the artist refuses to disclose their whereabouts, insisting that exposing them would instantly strip the unsuspecting owners of the value they’ve been paying for.
1 Wolfgang Beltracchi
Wolfgang Beltracchi rose to fame as perhaps the most notorious modern art forger, amassing wealth by creating convincing “new” works that he passed off as lost pieces by celebrated masters.
Unlike many impostors, Beltracchi never copied an existing painting; he studied the techniques of artists such as Max Campendonk and then painted original compositions that could plausibly have been omitted from the historical record, while his wife supplied fabricated provenance stories to convince auction houses.
Their luxurious lifestyle—multiple homes, fast cars and even a yacht—came crashing down when a Campendonk painting was found to contain titanium white, a pigment unavailable at the time the work was purported to have been created, leading to their arrest and imprisonment.
Since his release, Beltracchi has returned to the canvas, this time signing his creations with his own name, and he often reflects that the only regret he has is ever having used titanium white in the first place.